Denis Churin works with photography as a way of noticing rather than explaining. His images do not ask to be read quickly or correctly. They linger in states of suspension, where light, texture, and silence carry more weight than narrative. What appears familiar often feels slightly displaced, as if the image were remembering something rather than recording it.

Polina Kudelkina works across drawing, text, and image, allowing intuition to guide form. Her practice resists resolution and clarity, staying with ambiguity, contradiction, and inner movement. Rather than offering statements, the works function as traces—of thought, of emotion, of moments that cannot be fixed or named.